Crown, played with a feral menace and swagger (not to mention rugged baritone) by Phillip Boykin.
Porgy and Bess: Tour or jailbreak? May 26th, 2010 by Perry Tannenbaum in Arts
Two really good and able men actually showed up for a full evening’s work. Bass baritone Phillip Boykin was easily the most formidable Crown that I’ve seen in live performance, with biceps that clearly warrant Bess’s “look what arms you got” exclamations, and he put the most profane raunch into “A Red-Headed Woman” that I’ve heard.
Powerful Singers Bring ‘Porgy’ To Life! James Meena
As Bess’ former boyfriend – Crown, who doesn’t want to let go – Phillip Boykin’s booming, snarling voice and oak-tree build made him a threatening presence from his first scene. When he scoffed at God during the hurricane, Boykin cut loose with the wildness of someone who doesn’t care about judgment, human or eternal.
MUSIC WORCESTER PRESENTS GERSHWIN’S “PORGY AND BESS” BY PHYLLIS NORDSTROM
Goodness and Evil were portrayed magnificently by Patrick Blackwell as “Porgy”, and Phillip Boykin as “Crown”. While wondering why these two men weren’t performing with the Met, they were clearly the cornerstone of quality to this production. Not only in voice but in acting skill, these two formidable foes were so convincing that during the curtain call “Crown” was loudly booed by the audience. Evidence that he had done his job well, Phillip Boykin broke into a broad grin.
A tour of the Gershwin’s Porgy and Bess plays Bass Performance Hall. by Gregory Sullivan Isaacs
Phillip Boykin was a menacing Crown.
UNCG Hosts Thrilling 75th Anniversary National Touring Production of Porgy and Bess by Lynn Jessup
and the vicious personality of the murderer Crown, a very convincing Phillip Boykin, is revealed. Boykin, a native of Greenville, SC, is perhaps the most powerful character in this production, and has an impressive bass-baritone to match. Hes scary and bold, and eventually the audience sends up a collective groan whenever he appears.
REVIEW/PORGY AND BESS -BY BARBARA ZUCK FOR THE COLUMBUS DISPATCH
As the other Bad Guy, Crown, Phillip Boykin came across as both masculine and appropriately possessive.
‘Porgy and Bess’ provides high drama at Hanover By Dan Sweeney Telegram & Gazette Reviewer
Phillip Boykin was the dutiful bass baritone Crown.
‘PORGY AND BESS’ STILL AN UPLIFTING STORY! CHRIS SHULL SPECIAL TO DFW.COM
Honors for the stand-out performances of the evening, though, went to Phillip Boykin as the thug Crown, a masculine, menacing presence throughout A Red-Headed Woman as the town huddles to wait out the hurricane.
PORGY AND BESS theatre reviewUNF Fine Arts Presentation
…and Crown’s “A Red-Headed Woman.” Speaking of Crown, Philip Boykin’s performance is nothing less than over-the-top amazing, the embodiment of uncontrolled drunken brutality. He’s such an awful human being that we want to stand up and cheer when Porgy kills him. We feel guiltless satisfaction when Porgy gets away with it.